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Inside Throw Clay LA: A Creative Community in Motion

Ko Mosley, a Multimedia Journalist with USC Annenberg Media, recently came to the studio to capture the energy, process, and people that make Throw Clay LA what it is.


An exterior view of the garage window looking into the classroom area of Throw Clay LA.
Looking into the studio from the street—where the process, the people, and the community come together.  Photo by Ko Mosley

Throw Clay LA opened its doors in March 2020, at a time when most spaces were closing and people were pulling away from one another. The creative community that has grown since is the opposite: a place where people come together, learn something new, and build connections through making.


At its core, the studio is about access to clay and the process of learning how to work with it. One-time classes introduce the potter’s wheel and handbuilding, while six-week courses give students the time and repetition needed to build real skill. For those who want to go further, membership offers ongoing access to the studio and a community of makers working side by side.


An early morning view of the members' area with 20 potter's wheels in the large open studio.
The members’ area, where independent work and shared space come together. Photo by Ko Mosley

But what defines the space isn’t just the classes or the equipment. It’s the people who return week after week.


In his article, Mosley captured that experience from an outside perspective. In the piece, he describes Throw Clay LA as “a pillar of connection in the ceramics community,” shaped as much by the atmosphere as by the work being made.


That sense of connection shows up quickly. Conversations start over shared tools, questions about clay, or a piece on the wheel. What begins as a class often becomes something more.

As one member shared, “A place that feels safe and comfortable to explore our creativity… Having the clay here to discuss can start a conversation, and all of a sudden you make friends.”


A content member wedging clay on the plaster of Paris table in preperation for throwing pots.
Wedging clay is the first step—aligning the material, removing air, and getting it ready to throw. Photo by Ko Mosley

That dynamic is what keeps people coming back. The studio holds around 160 members, each working at their own pace, on their own projects, but within a shared environment that supports both learning and experimentation.


The process itself is visible everywhere. Shelves of work at different stages, from freshly thrown pieces to finished glaze-fired forms. Hands shaping clay on the wheel. Quiet focus at tables. Small moments of progress that build over time.


Pulling up the walls of pot on the potter's wheel with a bright orange bat.
Pulling up the walls on the wheel, using a sponge to control moisture and refine the surface. Photo by Ko Mosley

It’s not about producing perfect pieces. It’s about learning how to work with the material, understanding form, and developing confidence through practice and experimentation.


For anyone new to clay, the entry point is simple. Try a one-time class, get your hands on the wheel, and see what it feels like. From there, many choose to continue, building skills through longer courses or becoming part of the ongoing creative community.



If you’re curious, you can read Ko Mosley's full feature article here: Throw Clay LA: Meet The Heart Of Downtown LA's Ceramics Scene.


Whether you’re curious to try the wheel for the first time or ready to dive deeper,


As a member, explore our full range of cone 5/6 clay bodies, enjoy practice time in the studio, and connect with our creative community through free member clinics throughout the year.

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